DJI INSPIRE 3

​HERE'S WHAT YOU GET:

• 8K. Yes, 8K. DJI’s lightest-ever full-frame three-axis gimbal camera, the X9-8K Air, is custom-built for Inspire 3 to take drone cinematography to the next level. It features DJI’s latest image processing system, CineCore 3.0, supporting internal recording of up to 8K/25fps CinemaDNG video [9] as well as 8K/75fps [10] Apple ProRes RAW video, [9] meeting the needs of top-class film and television productions. 8K means ultra-high-resolution aerial footage that retains true-to-life texture close to what the human eye sees, with clarity that stuns audiences when displayed on larger screens. RAW brings X9-8K Air's sensor fully into play, providing abundant space for visual effects and color grading.

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• UPWARD TILT PANS. Inheriting the classic transformable configuration of the Inspire series, Inspire 3 uses an all-new design that supports 360° Pan and Tilt Boost structures. When the landing gear is lowered, the gimbal supports obstruction-free 80° upward-angle shooting, [3] enabling cinematographers to capture strikingly innovative shots.

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• WAYPOINTS. Specially designed for aerial cinematography, Waypoint Pro enables flight-route and shot planning with a wide range of customized settings. With the new Repeatable Routes and 3D Dolly modes, an innovative automated shooting experience can be easily achieved. In addition, RTK centimeter-level positioning ensures more accurate flight-route planning and execution. Whether solo shooting or in a professional crew, use Waypoint Pro to master even highly-complex scenes.

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• DOLLY. 3D Dolly can simulate a crane, cablecam, or dolly on film sets while going far beyond the limitations of those devices.

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• Dual Native ISO. X9-8K Air supports dual native ISO. At full-frame 30fps and below, it offers EI 800/4000, supporting the 24fps commonly seen in film productions and the 25fps used in commercial and television productions. At above 30fps, EI 320/1600 is available. This allows X9-8K Air to record images with exquisite details and minimal noise, even low-light cityscapes or beaches, putting it on par with professional ground-based cinema cameras.

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• Timecode Sync. Through the 3.5mm port on the aircraft, you can sync timecode between equipment in the air and on the ground. When dealing with abundant footage from multiple cameras, timecode sync makes the editing process significantly more simplified and efficient.